![]() “ Pet Sounds as an album is such a journey as you go through it. That probably made me more down to like Pet Sounds, as I recognised elements from that on the rest of the record and now it’s one of my favourite records of all time.” “Wouldn’t It Be Nice” is like a weird bridge between the two, because it still sounds so sunny and fun and happy, but it’s got a lot of Pet Sounds-y stuff on it. When I was young my uncle would say it was the best album, but it was weird and I was young, so I didn’t like it. “Three or four years ago I started to really get back into them again after listening to Pet Sounds. I would always hear “Fun, Fun, Fun” and “Little Deuce Coupe” and I always loved ‘Wouldn’t It Be Nice’, but then I kind of wrote The Beach Boys off. What you consume definitely affects what you produce.”Īustin: “I grew up listening to The Beach Boys because they're my uncle’s favourite band. I feel like now we're all down to make anything, and as Turnover continues there will hopefully be new, cool stuff all the time. “As you get older, you have to start making the shit that you're listening to, otherwise it's just not fun. It’s an eclectic mix, ranging from pop-punk to psychedelia to funk, with their choices reflecting their versatility as artists, as well as their ability to satiate audiences’ needs for new and exciting content. It’s crazy that we would end up at the same spot”Ĭompleted by bassist Danny Dempsey, I sit down with the trio to discuss the nine songs that have been pivotal in their lives. There were a few times where I'd listen to a song and be like ‘Oh this is really sick’ and then two weeks would go by and one of them would be playing it as well. The funniest part about it is we’re so separated, but I feel we’re more on the same wave than ever. ![]() “We'd set time aside to meet up and get together, so it felt like a special occasion, but it was just a different process.”Īustin explains that even when he and his brother Casey lived under the same roof, they would write separately, “but now we're living so far apart, so we're getting inspired by completely different things. With new album Altogether written on two sides of the US, it wasn’t just new genres that they were delving into, there was a new writing process to adapt to as well, which Austin tells me gave them a feeling of liberation. Sometimes I hear a song now that's hip in some cafe and I'll remember it from being in my dad's car when I was six.” Their father’s taste isn’t flawless however, “He also likes some really bad music too!” ![]() “He loves classic rock, jazz and bluegrass, so we were exposed to a lot really early on. ![]() I literally swore to myself that I would never like jazz, but now it’s my favourite kind of music, it definitely affected me in a subconscious way. “I remember when I was young and I was talking to him about music, and he said "One day you'll like jazz". “When I was growing up I thought everything he liked was so lame, but now I’m the opposite, the stuff he listens to now is the exact stuff I listen to.” Austin explains. Growing up in Virginia, brothers Austin and Casey Getz were exposed to a whole range of music, thanks to their audiophile loving father. This time around they’ve made another leap forward and embraced all things jazz and funk for their fourth record, Altogether. With 2013’s Magnolia they favoured the emo/pop-punk of their youth, while 2015’s Peripheral Vision and 2017’s Good Nature steered them into the realm of dream-pop. ![]() With each album they release, Turnover deliver a new development in their sound. ![]()
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